Tatsuki Fujimoto is the mangaka of Chainsaw Man. His beautiful art style combined with a mindblowing story has become the reason why fans love reading his manga so much. But they’ve recently noticed some changes in his work, and it looks like they’ve got some thoughts about it.
It’s a pretty common thing for a mangaka to change their art style after a number of chapters. There can be several reasons for that. Not all authors are highly experienced, and even if they are, they evolve and gain more practice by drawing a series, so it’s reasonable to suggest that their artstyle evolves along with the author. Besides, some mangakas are unsure of the exact style they’d like their series to acquire, so they’re just trying to find the appropriate look for all the details at first. Some fans think that it is the case with Fujimoto; they say his style has become more settled in because now he has a clearer idea of what the proportions and actions should look like, and everything can be utilized to make the picture look whole.
Some fans feel that the quality of Fujimoto’s artstyle declined, though. They notice thicker lines and less complicated backgrounds. One possible reason for that is weekly releases. Fans say Fujimoto doesn’t work so well with strict deadlines, and they spot some messiness in his work when he has a limited amount of time. They also add that it is not his fault and they still enjoy his artstyle a lot. Fans suggest looking at his one-shot manga such as Look Back or Goodbye Eri to see what Fujimoto can do with enough time and no pressure. Both works look incredibly stunning and possess extremely high quality.
Going back to Chainsaw Man, some fans consider the late Part 1 and early Part 2 of the manga to be the best of Fujimoto’s work. They complement the flow and the legibility of the artstyle, adding that it’s become much easier to make out what’s happening in the frames.
Opinions differ, however, and some people say they don’t really see a big difference between the old chapters of the manga and the new ones. A number of fans even add that the recent chapters look more polished and have more details.
The thing fans definitely agree on, though, is that it doesn’t matter if Fujimoto’s art style has undergone some changes: they’re reading the manga for the story, and this is the part that stays engaging and remarkable no matter what.
Tatsuki Fujimoto is the mangaka of Chainsaw Man. His beautiful art style combined with a mindblowing story has become the reason why fans love reading his manga so much. But they’ve recently noticed some changes in his work, and it looks like they’ve got some thoughts about it.
It’s a pretty common thing for a mangaka to change their art style after a number of chapters. There can be several reasons for that. Not all authors are highly experienced, and even if they are, they evolve and gain more practice by drawing a series, so it’s reasonable to suggest that their artstyle evolves along with the author. Besides, some mangakas are unsure of the exact style they’d like their series to acquire, so they’re just trying to find the appropriate look for all the details at first. Some fans think that it is the case with Fujimoto; they say his style has become more settled in because now he has a clearer idea of what the proportions and actions should look like, and everything can be utilized to make the picture look whole.
Some fans feel that the quality of Fujimoto’s artstyle declined, though. They notice thicker lines and less complicated backgrounds. One possible reason for that is weekly releases. Fans say Fujimoto doesn’t work so well with strict deadlines, and they spot some messiness in his work when he has a limited amount of time. They also add that it is not his fault and they still enjoy his artstyle a lot. Fans suggest looking at his one-shot manga such as Look Back or Goodbye Eri to see what Fujimoto can do with enough time and no pressure. Both works look incredibly stunning and possess extremely high quality.
Going back to Chainsaw Man, some fans consider the late Part 1 and early Part 2 of the manga to be the best of Fujimoto’s work. They complement the flow and the legibility of the artstyle, adding that it’s become much easier to make out what’s happening in the frames.
Opinions differ, however, and some people say they don’t really see a big difference between the old chapters of the manga and the new ones. A number of fans even add that the recent chapters look more polished and have more details.
The thing fans definitely agree on, though, is that it doesn’t matter if Fujimoto’s art style has undergone some changes: they’re reading the manga for the story, and this is the part that stays engaging and remarkable no matter what.
